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8 January 1836 – 25 June 1912. Most renowned painters.

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Canaletto
Capriccio: a Palladian Design for the Rialto Bridge, with Buildings at Vicenza

ID: 05645

Canaletto Capriccio: a Palladian Design for the Rialto Bridge, with Buildings at Vicenza
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Canaletto Capriccio: a Palladian Design for the Rialto Bridge, with Buildings at Vicenza


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Canaletto

Italian Rococo Era Painter, 1697-1768 Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.  Related Paintings of Canaletto :. | Campo di Rialto (mk21) | Padua: The Prato della Valle with Santa Giustinia and the Church of Misericordia (sheet 1) df | Cappella del'Eton College a Windsor (mk21) | The Courtyard of the Castle of Warwick | Grand Canal, Looking East from the Campo San Vio |
Related Artists:
Johann Nepomuk Rauch
(1804 Vienna - 1847 Rome) was a very significant Austrian Biedermeier painter of the 1st half of the 19th century.
BASTIANI, Lazzaro
Italian painter, Venetian school (b. 1449, Venezia, d. 1512, Venezia) Italian painter. He is first recorded in 1449, as a painter in Venice and in 1460 he was paid for an altarpiece in S Samuele there. Although no extant work is securely documented, several are signed and two are dated. The influence of Andrea del Castagno is clear in his early works, of the 1460s: the signed mosaic of St Sergius (Venice, S Marco), the Archangel Gabriel (Padua, Mus. Civ.) and the signed Piet? (Venice, S Antonino). Also assigned to this period are the Adoration of the Magi (New York, Frick), the polyptych of St Francis (Matera, S Francesco), the St Jerome.
METSU, Gabriel
Dutch painter (b. 1629, Leiden, d. 1667, Amsterdam).






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